bootsy collins & his rubber band just said fuck your life.
BOOTSY COLLINS- I’D RATHER BE WITH YOU (LIVE) // 1976
by austin kamps
CINEMATOGRAPHER VS. PRODUCER
if you do anything video/film related, you will find this shit hilarious. i almost fell out the window. no offense if you shoot on a canon 7d or other dslr, lol.
[Flash 9 is required to listen to audio.]
DaVinci - “The Beginning” Ft. Big K.R.I.T., Webbz, J. Rockwell [Prod. By Heavyweight] (TehInternets, 2010)
ADDICTED - RAE ROSERO (PROD. BY AL JIEH)
the nxt-606 is a working drum machine made of legos.
what it be like girl?
LIVID INSTRUMENTS: CODE //MIDI CONTROLLER
sleek new midi knob (rotary encoder) controller by livid.
DAVINCI - CONCRETE JUNGLE JUICE (MUSIC VIDEO)
new davinci music vid for “concrete jungle juice”, off his album the day the turf stood still.
diggin the orange and black motif. sf stand up.
the warriors signed jeremy lin, making him the first asian american in the nba. makes sense considering he’s a hometown kid (from palo alto), and the bay has one of the highest concentrations of asian americans in the usa.
TOP SECRET AMERICA
frontline/pbs and the washington post have done an amazing job with this new investigative project called top secret america. read below, and also visit these two micro sites: washington post + frontline
FRONTLINE goes inside The Washington Post’s major two-year examination into the massive, unwieldy, top secret world the U.S. government has created in response to 9/11. Coming fall 2010 to PBS.
A major examination by Washington Post reporters Dana Priest and William Arkin is the subject of an upcoming FRONTLINE documentary produced by veteran producer Michael Kirk. The Post’s two-year investigation looks at the top secret world the government created in response to the terrorist attacks of Sept. 11, 2001—a world that has become so large, so unwieldy and so secretive that few know how much money it costs, how many people it employs, how many programs exist within it or how many agencies duplicate work being done elsewhere.
